A Tip and Resources for Writers of Short Fiction

Hi Folks,

Dean Wesley Smith is the professional long-term fiction writer whom I consider my mentor. He’s made his living with his fiction for over 3o years and has well over 100 novels published through traditional publishers. This is back before traditional publishers lost their minds and made their contracts completely one-sided.

I emailed Dean about my most recent (at the time, back in November, 2014) short story, “Saving the Grenlow”:

“Seriously doubt I’m up to Asimovs or any of that yet, but I did just post (yesterday) my latest short story of the week, an SF piece a little under 3,000 words based on one of our assignments in the SF workshop. I think you might like it if you get time to drop by.”

His reponse?

“Wow, Sheila [Williams, editor] would be angry if she read that. How dare you pre-edit her magazine for her? And it clearly hasn’t sunk in yet for you that writers are the worst judges of their own work. You are going to need to learn that and stop devaluing your work with false judgements.”

So there you go. As some of you know, I don’t usually “devalue” my own work. That particular time, the groveling just snuck up on me, probably because I was talking with my mentor. But his “How dare you pre-edit her magazine for her?” really hit me. Duh. Don’t devalue your own work with false judgments. Seriously.

Topic of the Day: Traditional Publishing for Short Fiction

Don’t misread this. I would NEVER advocate going the traditional publishing route with novels, not the way traditional publishers’ contracts read right now. Don’t take my word for it. Check ’em out for yourself. And when you read the part that says your book belongs to the publishing company until it goes “out of print,” remember that “print” now includes ebooks, which literally NEVER go out of print. Be careful out there.

On the other hand, there is absolutely nothing wrong with making a quick few hundred dollars on a short story BEFORE self-publishing it to Amazon and Smashwords, right?

If any of you would like to find traditional short story markets that pay professional rates, DWS and another person in a workshop with me suggested checking these sites:

Duotrope at http://duotrope.com

The Grinder at http://thegrinder.diabolicalplots.com/

Also, look for some of the big annual short story anthologies, like the ‘Best Short stories of XYZ year” and some of the major genre annual anthologies. They’ll list the markets the stories came from, as well as a list of markets that were considered for inclusion.

The Pushcart Prize anthology also has great lists of nominated magazines, with addresses.

With short fiction, of course, you should always follow their guidelines. To not do so is an insult.

So there you have it. Believe in yourself. You believed in your story enough to write it, so submit it and see what happens. There’ll be plenty of time to self-publish to Smashwords and Amazon when rights revert to you after traditional publication. After you’ve pocketed that three hundre dollar check.

‘Til next time, happy writing!

Harvey

Note: If you find something of value in these posts or on this website, consider dropping a tip into Harvey’s Tip Jar on your way out. If you’ve already contributed, Thanks!

Announcement — WooHoo!

Hi Folks,

Just an announcement today.

I’m ever cognizant that there are writers too far away to attend my on-site seminars and writing intensives. And frankly, I’m not doing many of them anymore anyway.

To that end, I put together some audio lectures. There are several on various aspects of the craft itself, and today I decided to put the best technique I’ve ever learned back in the lineup.

It’s called Writing Off Into the Dark. If you know any writers who might be interested, please let them know. They can get all the information on all the lectures at http://harveystanbrough.com/lecture-series. For Writing Off Into the Dark, scroll down to Lecture 12.

Pssst. I first discovered Writing Off Into the Dark not quite a year ago. I began applying it and Heinlein’s Business Rules in mid-April of 2014. Since then, I’ve written 52 short stories, 3 novels and a novella in just over 313,000 words. I’ve written another 29,000 words on my current novel. What’s really cool is that 275,740 of those words came since 1 October 2014. And what’s even cooler than that is that from January 1 to February 16, I’ve written just under 110,000 words (109,763).

All because of Writing Off Into the Dark and Heinlein’s Rules.

Now granted, this is not the way your English teacher or your critique group says you should write. Then again, my English teacher never wrote and published a novel. And as for critique groups, if the members are more widely published than I am and have a larger readership, I’ll listen.

Thing is, this is how Ray Bradbury and Robert Heinlein and all the pulp writers and every long-term professional writer out there writes. That’s good enough a recommendation for me. (grin)

Anyway, all the audio lectures are good. I suggest you swing by and look at them, especially if you haven’t taken my seminars or if you missed a few. Once you sign up for one, you can listen to it as often as you like and come back to it whenever you like.

Back on the 21st with the next regular post.

‘Til then, happy writing!
Harvey

A Note on the Creative Process

Hey Folks,

Back in mid-December 2014 a friend wrote in a private blog post that a non-writing creative project she was working on “would go faster if I didn’t keep redesigning it.”

For me, that sounded like her subconscious popping up to slap her around a little.

Like me, she’s a proponent and practitioner of just writing off into the dark. That is, we Just Write, allowing the characters to lead us into and out of situations as they race through the story.

But sometimes we get stuck. Sometimes our critical conscious mind creeps in and tries to “save” us from making a mistake. It tells us to figure out what’s going to happen next and what direction the story is going to take and on and on and on.

Just yesterday  (as I write this) I was ready to throw in the towel on the third novel in the Wes Crowley series. I was tempted to either slap an end on it and call it a novella or just stop writing it until I Figured Out Where It Was Going. And therein lay the battle: if I’m trusting my subconscious, I don’t even WANT to know where it’s going. The great Ray Bradbury himself once said (I’m paraphrasing) that nothing literary was ever created as the result of thought. But sometimes I slip. Remember, I’ve only been at this Writing Into the Dark stuff a little less than a year.

So anyway, I don’t WANT to know where my story’s going when I’m writing. When I have no clue where the story’s going, it and I are 8 or 10 years old, fresh and alive and laughing and racing through the woods naked and it’s FUN.

But when I have the story all planned out or when I otherwise keep forcing it, the the story is trudging through the woods before me at the point of my Almighty Writer’s sword, its hands cuffed behind its back, a prisoner of my conscious, critical mind. And oh yes, it WILL damned sure do what I tell it to do or else.

Sigh… folks, despite all the crap you hear pouring out of the mouths of teachers and critiquers and agents and other non-writers, the truth is, Writing is supposed to be fun, not drudgery. But when it’s all planned out as in the paragraph above, I might just as well stop, force the story to dig its own grave, and then run it through with that Almighty Writer’s sword to bring the misery to an end for both of us, because THAT is when writing is drudgery.

Now I’m gonna get back to writing my novel. 🙂 And my story of the week. 🙂 And a bunch of other stuff.

Update: As this posts, I finished the novel (and the series) and an unrelated novella and a few more short stories. 🙂 My streak continues of writing at least one new short story per week.

‘Til next time, happy, drudgery-free writing!

Harvey

Note: If you find something of value in these posts or on this website, consider dropping a tip into
Harvey’s Tip Jar on your way out. If you’ve already contributed, Thanks!

A Public Service Announcement… sort of

Yeah, sort of. If you’re a writer, you need resources, and the fact is, I’m a good one. I’ve recently revamped the Writers’ Resources listing in the right sidebar of my page.

That sidebar contains a list of copyeditors as well as various useful tools: several dictionaries for everything from slang to sex; language translators and conversion resources for measurements, mileage, money and more; invaluable information for would-be independent publishers; character naming conventions; free apps; free or inexpensive alternatives to Microsoft Word; and a great deal more.

Among the great deal more there are also miscellaneous resources, such as the newly added Historical Maps site where you can get free digital maps, two resources concerning gardening, two or three quotation sites, notes on police procedures, and links to various writers’ groups. Seriously, take a look.

I also point directly to the websites of Dean Wesley Smith and Steven Pressfield. If you haven’t visited Dean’s website, you are missing out on a TON of great information for writers and indie publishers (and you are an indie publisher if you’re a writer and you’re smart). If you haven’t yet read Pressfield’s Do the Work and The War of Art, well, just stop complaining about not finding time to write ’cause really, seriously, you don’t have a leg to stand on.

Of course, there are also my very own instructional blog posts, which come out every ten days and which of course I hope you find useful. I don’t care for false modesty, so I’ll just say, without bragging, if you read my regular posts, you will learn a great deal about writing, and it will be good information, not the inane bullcookies you hear from people who hold themselves up as experts although they’ve never published anything. I mean, puh-lease.

One thing… Beginning with my next post, you’ll receive those on the 1st, 11th and 21st day of the month. Up until now they were going out on the 10th, 20th and 30th, but despite protracted, endlessly frustrating negotiations, my team thus far has been unable to get February to go along with the program re the posting on the 30th. So I’m making the switch.

Just in case you’re scratching your head and saying something like “Huh?” the problem is that February has only 28 days, except every four years when it begrudgingly adds a 29th day, apparently to tease us and show us it could get to 30 if only it wanted to, which of course it does not because, frankly, that’s just the way February is.

Okay, finally, I’ve also decided to take the plunge into donation land. I mean, I’m a professional writer. I make my living with my words, except the words in my instructional blog posts, which I give you because it makes me feel all warm and fuzzy. Okay, but warm, fuzzy feelings don’t put bacon on the table, and the fact is, I like bacon, despite the fact that (or maybe because) liking bacon isn’t politically correct because it isn’t made from soy.

So if you’re one of those folks who tells me now and then how much you learn from these posts or how valuable they are or how reading them doesn’t actually give you a migraine, hey, I hope you’ll consider dropping a tip into Harvey’s Tip Jar. You can click the preceding link or you’ll find a button in the upper right corner. And if you’re one of those folks who like to remain silent because, after all, that’s your right, but you also enjoy the posts, learn from them and so on, I hope you’ll consider tossing a tip my way as well.

I’m a full-time fiction writer now, which means I’m making my living with my words. In the past 9 months, since April 15, 2014, I’ve written over a quarter-million words of fiction (263,441 to be exact). That doesn’t include blog posts and other nonfiction. In those 263,441 words are 46 short stories and 3 novels. During that time also, I collected the stories in 12 short fiction collections and the novels into a trilogy. Finally, during that time I created 62 book covers and published those 62 works to over 100 nations around the world through various ebook and print venues. Not bad for an old man, eh? (grin)

I’m just sayin’, writing blogs posts and seminars and other nonfiction is no longer my main focus. When I write a blog post to help you out, it costs me time that I could otherwise use to tell a story. And frankly, telling stories—sitting at my keyboard making stuff up—is a great deal more fun. (grin)

Oh speaking of which, I also added a tip jar to my fiction showcase website over at HEStanbrough.com. If you sign up over there, you get a free, brand new, freshly minted short story every week. Anyway, that’s the same tip jar so don’t feel like you have to hit both of them, okay? But yeah, one would be nice. (grin) You know, if you can see your way clear.

Those tips will help me keep these blog posts going. Oh, and if you do decide to toss something into the kitty, as they say down in Texas, Bless yer hort.

Coming up, in addition to new blog posts, I’ll also be reposting a series on Microsoft Word for Writers and a revised series on Being a Professional Writer as well as a lot of other good stuff.

Until then, happy writing!

Harvey

 

An Essential Tip: Just Write the Scene

A long while back, I posted that if you’re writing and you get bogged down, you should just write the next sentence, then write the next sentence, and so on. Soon you’ll be back in the flow of your story and you can forge ahead. There’s one proviso—that “next sentence” should come directly from your subconscious (creative) mind. In other words, you shouldn’t force it and think about it and make it read just so. You should literally JUST write the next logical sentence.

Well, sometimes when I get stuck, my fingers are poised on the keyboard, all ready to write the next sentence and— the next sentence doesn’t come. Oh crap! What now?

Sometimes you aren’t stuck. Sometimes you’re in the wrong place. Sometimes you’re trying to make something happen (conscious, critical mind) that isn’t part of the story. Remember, the real story is coming out of your subconscious mind, your creative mind.

A few days ago I found myself in exactly that situation. I had written a long (over 1800 words) but very terse opening scene. At the end of that scene, I tried to write a transition and then another scene. (“Tried” is the operative word here. When you “try,” that’s your critical mind. Ugh.) Nothing doing. There was no next sentence.

So I sat back for a moment, released all the conscious, critical mind “try” stuff that I was trying to force on the story. Then I leaned forward, put my fingers on the keyboard, and wrote the first thing that came to mind. A new scene sprang onto the page. When I felt I might bog down again, I just wrote the next sentence, wrote the next sentence. This time it worked fine. I was back in sync, allowing my subconscious creative mind to tell the story it wanted to tell. My fingers barely stopped moving for another 1892 words. Then they slammed to a stop.

Can’t fool me twice, at least not in the same story. I got up, moved around, got a glass of water and came back to the story. I put my fingers on the keyboard, wrote the first thing that came to mind, and again a new scene flew across the page. Yep, just like that. This scene was only 581 words. This time I already knew what the next scene would be, so I added a section divider (for me that’s a series of three centered, spaced asterisks) and started the next scene: that one isn’t finished yet, and it’s just under 1,000 words.

I probably will finish this story a little later today (as I write this post, October 23, 2014). First historical western I’ve written since I was a kid. These days my primary interest is in writing psychological suspense (like horror, but no slash and gash). My secondary is science fiction. My third is magic realism. Historical westerns aren’t anywhere on my list of priorities, but this is the story that wanted to be written, so this is the story I’m writing. Cool, eh?

UPDATE: If you’re signed up for my story-a-week blog over on Harvey Stanbrough & Friends you probably read it back on October 23. It was titled Adobe Walls. If you enjoy westerns, I’ve since written a second western short story based on my novels: Last Raid on Amarillo. For a few more days you can read it free at the blog.

When you get stuck in your writing, Let Go and just write the next sentence. If it won’t come, write the next scene:

  1. To begin a scene, write whatever comes.
  2. To get through the scene, write the next sentence, then write the next sentence, then write the next sentence. Don’t think about where it’s all going or even about the second or third sentence: Just write the next sentence.
  3. When you’re writing a scene, don’t worry about how it connects to other scenes. Just focus on that scene.
  4. When the scene ends, write whatever comes for the next scene (or for another scene), then write the next sentence, etc.
  5. Your character(s) will lead you to where you need to be.

‘Til next time, happy writing.

Harvey

A Bit More on Goals

First, a public service announcement, especially for avid readers: if you’re going to be in or near Green Valley on December 6, I hope you’ll stop by to see me and a lot of other local and regional authors at the annual Meet the Authors Book Fair. That’s next Saturday, December 6, from 1 to 4 p.m. at the Desert Hills Lutheran Church at 2150 South Camino Del Sol in Green Valley.

I’ll have my new novel, Leaving Amarillo, as well as thirteen collections of short fiction and my two popular nonfiction books on writing. Stop by!

Some points about the Meet the Authors Book Fair:

  • Admission is free
  • WiFi is available
  • There will be author readings in a small adjacent room

Again, the venue is located at 2150 South Camino Del Sol in Green Valley.

Here’s a Google Map of the location.

Hope to see you there!

Okay, last time up I talked about goals.

When I first set my goal to write a short story per week for a year (back in mid-April) I was about half-terrified. I didn’t realize yet that the world wouldn’t end if I missed, and I hadn’t even considered yet that the goal would merely re-set, meaning even if I missed a week, so what? I still had to write a new story for the current week.

Once I learned to trust my subconscious to tell the story (what Dean Wesley Smith calls writing into the dark) and once I realized nothing bad would happen if I missed a week, the goal gently shifted from a severe, “whaddayou, nuts?” kind of challenge all the way down to FUN.

That’s right, fun.

I no longer doubt that I’ll write a short story per week for a year. Once I let go of the fear, I was free to just run outside and play with all my little fictional friends. And that is SO much better than all the crap I occasionally hear about writing being “drudgery” and all that. 🙂

So I still have the ongoing “challenge” of writing a short story every week for a year, but I also have set a goal of writing at least four hours per day (fiction… not counting any nonfiction, not counting emails or blog posts) at least five days per week. Can I do that? Yep. Easily. As I’ve said many times in this series and elsewhere, it’s all a matter of priorities. Now that I’m not editing and formatting and creating (beautiful) covers for Other People’s Stuff, my days are my own.

For those of you who automatically think writing four hours per day is a monstrous and probably un-doable goal, tell me: if you have a day job (or if you’re retired, back when you had a day job), are (or were) you able to go to your job and do it at least four hours per day, five days per week? Of course. In fact, you probably spent 8 or 9 or 12 hours per day at least five days per week.

Writing fiction is my job now. (Yeah, that’s right. My “job” is sitting at a computer, making up stories. Score!) If I call myself a writer, shouldn’t I be able t0 “work” at my job four lousy hours per day? Kind’a puts things in a whole new perspective, doesn’t it? 🙂

So is writing your job too? If you answered yes, maybe you should set a goal or two. 🙂 If you need help in that regard, I’m more than happy to respond to emails or to comments left in the comments section at the bottom of this post.

Back next time.

Harvey

A Few Resources and Goal Setting

Hey Folks,

A few strong resources—

If you’re serious about your work as a writer, check these out:

http://deanwesleysmith.com—The resource-rich website of Dean Wesley Smith, my own unintentional mentor and one of the most prolific writers in America. While you’re there, check out the Think Like a Publisher and Killing the Sacred Cows of Publishing tabs. I also recommend checking out his Online Workshops tab and his Lecture Series tab. Also while you’re there, remember that this guy has published hundreds of novels and several hundred short stories. His wife, Kristine Kathryn Rusch, has done likewise. Seriously, would you rather “learn” from the peers in your critique group, or would you rather learn from someone who’s highly successful. (Hands raised, palms out: I don’t mean me. I’m not teaching anymore.)

Chuck Wendig’s blogAnother resource-rich website. Chuck regularly offers his books in bundles. I recently bought a bundle of seven for only $20, and they’re full of actual TRUE information about writing. Not the lying, worthless, even harmful stuff that’s in most how-to books for writers. I could name names but, you know, I’m a good guy. Besides, frankly, if you believe that stuff, you deserve the ensuing wasted years. WARNING: Chuck Wendig uses strong language with remarkable regularity. If you’re offended by such language, you might want to avoid this website.

Harvey Stanbrough’s Audio Lecture SeriesThis is for those of you who always meant to get to my seminars when I was teaching them live but didn’t for whatever reason. Well, that extended period of insanity is over, and I’m getting better, thanks. Now I offer the same excellent instruction online so “them as want it can take it and them as don’t can leave ‘er be.” No more need for excuses. 🙂 If you want honest, nuts-and-bolts instruction that you can apply to your writing immediately, you want these lectures. (I recommend starting with Narrative. It’s chock full of good stuff.) There’s no fluff in these lectures. It’s all meat. Or if you’re a vegetarian, it’s all peas and carrots. Okay, unprocessed peas and carrots. Sheesh. Whatever. Even if you been to my seminars, I strongly recommend my Writing Into the Dark lecture. Same link, scroll down to Lecture 12. More coming soon on Employing the Persona, Smart Self-Publishing, and maybe even Writing the Character-Driven Short Story. Maybe. I’m REALLY enjoying writing fiction. 🙂

Finally, on My Main Website, browse the right sidebar under Writers’ Resources. Seriously, there’s a lot of great stuff there. Go. Browse.

Goal Setting

Last time I defined the different types of writers. Only you know where you fit among those definitions. If you’re actually a writer (a person who writes, who regularly puts new words on the page) or a serious aspirant (that’s almost an oxymoron), set a goal for yourself. Then announce it to your friends and family.

If you do this, it will drive you to your writing computer and you’ll actually put new words on the page. In other words, you will actually BE a writer.

Can you revise or adjust goals once they’re set? Of course. Remember, they’re only artificial boundaries. We set goals to help ourselves achieve what we want to achieve. When setting your goals, bear in mind the term “realistic.” Make your goals realistic.

For example, I want to write a novel. Is a novel just a story that doesn’t end really soon? I don’t know. I haven’t written one yet and I haven’t studied enough yet to know that. But I’m taking a six-week online workshop beginning November 5 that will help me know that, so I will set a novel-per goal soon. UPDATE: By the time I got around to publishing this blog, I’d finished my first novel. It’s the one I talked about in the previous post. So woohoo! 🙂

In the meantime, I still also have the recurring goal I set back on April 16: to write and publish at least one new short story per week for a year. So this is both a recurring goal (the goal re-sets every week) and a long-term goal (one story per week for a year). I haven’t missed yet.

But what happens if I do miss one week? Nothing.

The world won’t end. My friends won’t all send me Dear John letters. Deming NM won’t dry up and blow into Texas. Well, maybe, but that’ll be because of its position alongside the journada del muerte, not because I missed writing one stupid short story. And for the overall year, I still will have written FIFTY-ONE short stories. Not too shabby for an old guy learning new tricks. In fact, that’s a pretty good year, don’t you think?

Okay, so what’s stopping you? If you’re a writer, Get On With It.

Harvey

A very special blog post

Hi Folks,

If you live in southeast Arizona and you are an aspiring writer who

  • can’t seem to find time to write
  • has never heard of Heinlein’s Rules
  • HAS heard of Heinlein’s Rules but have amended them because you think they’re too good to be true
  • believe you have to “polish” your work before publication
  • believe you have to rewrite X number of times before publication
  • believe you have to write X number of drafts before publication

you REALLY need to take my one-day intensive on Writing Into the Dark. It covers all of that and a great deal more.

Believe me, I’m fully aware you can come up with any number of excuses why you can’t come, but if you can, this one day will probably be the best investment you’ve ever made in your writing.

Here’s what it would cost you

    • a trip to Benson next Saturday, October 25
    • a class from 9 – 4 with an hour for lunch
    • immersion in a small group of avid writers who care about the craft, and
    • eighty bucks (okay, dollars… eighty dollars… don’t be showing up with venison)

and I’m telling you, it’s worth at least three times that. Why am I selling my knowledge so cheaply? Because I want as many people to get it as possible, and frankly, after this one, I’m done.

If you live in southeast Arizona, and if you’d like to attend, email me at harveystanbrough@gmail.com and let me know. I’ll send you directions and everything else you need.

This probably is the last live seminar I will ever teach. From here on out, I’m writing at least 3 hours per day, at least 5 days per week. I can do that because I know this technique. I write about 1,000 words per hour. In a day, that’s 3000 words. In a week, it’s 15,000 words. In a year that’s 780,000 words (65,000 words per month). That’s working a “job” five days a week only three hours per day.

But calm my numbers down. Say you can write only 1000 words per day, 5 days per week. That’s still 5,000 words in a week, and in a year that’s still 260,000 words. At 60,000 words a pop, that’s four and one-third novels. Just writing 1,000 words per day, 5 days per week.

Now, do you want to be a writer or do you just want to talk about being a writer?

I still have five seats available in this intensive. Let me know.

Best,

Harvey

A New Era Begins: Writing Intensives and More

Hi Folks,

Now that I’ve retired as a copyeditor and resigned my position as General Manager of the Universe, I have more time for my own writing. Fortunately, I can also focus on teaching writing to those who are serious about becoming professional writers.

Most of my mechanics and techniques seminars (the ones I’ve taught all these years in Tucson, Bisbee, Green Valley and Willcox) are available online in my Audio Lecture Series. If you want to learn in-depth how to write dialogue or dialect or how to create characters or tame your overreaching narrator, that’s where you need to start.

But if you want to go beyond the mechanics and learn to make or augment your living as a professional writer, read on.

I’m developing a series of interactive online workshops. Each workshop will be six weeks long, each will include six “meetings” and five assignments. Each workshop will be limited to 10 participants, and I will work individually with each participant through emails and by critiquing his or her assignments. (The assignments will not be not mandatory, of course, but recommended to get the full benefit of the workshop.) At the end of some of these workshops, you will have written five more chapters in your novel (Yes, in six weeks), or you will have a five-story collection of short fiction or memoir. But much more than that, you will have gained confidence in yourself as a writer.

Initially I expect the online seminar topics will include these:

  • Writing Into the Dark (a technique used by the most prolific professional writers)
  • Employing the Persona (a technique that enables you to give power to your voices… all of them)
  • Writing the Descriptive Short Story (learn to write a story that’s difficult to stop reading)
  • Using Fiction Techniques to Bring Your Memoir to Life (dialogue, dialect, descriptive narrative)
  • Writing the Poem (this is not theory, but writing)

I’ll add other topics as time goes by. Each writing workshop will include 5 or more assignments and critiques, enabling you to learn what you’re doing right, what you could improve, and specifically how to improve it.

But it will take time to create the online workshops.

In the meantime, I’ve decided to offer a series of one-day workshop intensives on some of the same topics. By “intensive” I mean during six hours of instruction from 9 a.m. to 4 p.m. (an hour for lunch) you’ll receive a LOT of information, and all of it will be essential to your knowledge as a writer. This will be a day chock full of “aha moments.”

I’ll offer these one-day intesives in Benson, Arizona. Each intensive includes at least one critiqued assignment and costs 1/2 as much as the online version. Plus you get all the information in one fast-paced day.

The first intensive is scheduled for Saturday, October 18: “Writing Into the Dark.”

“Writing Into the Dark” is an invaluable, Zen-like technique and possibly the best-kept secret in writing. I am not exaggerating. This knowledge actually changed my life as a writer. If you want to dramatically increase your productivity and actually enjoy the writing process, this is the course you want. This will move you a giant leap closer to being a professional writer. If you already know the mechanics (if you’ve attended my earlier seminars), this course will get you there.
 
This day-long intensive will cover retraining yourself regarding how you think about writing and how you practice writing, learning to trust yourself and your process, setting priorities, an in-depth explanation of the technique itself (what it is and what it is not). Also includes busting some myths that actually quash the desire to write, silencing your critical mind so you can Just Write the Story, being IN the story (not ABOVE the story), increasing your productivity, and the importance of Heinlein’s Rules.
 
The workshop includes at least one critiqued assignment (short story, chapter of a novel [WIP], or memoir, depending on the your interests). The students will complete the assignment within a few days and send it to me via email. I’ll critique it and send it back. (The assignment is not mandatory, but recommended to get the full benefit of the course.)
The cost for this intensive (including the assignment and critique) is $120, payable in cash on the day of the course or in advance via PayPal.
Class size is limited to 10 participants, and I expect it to fill up quickly.
 
Reservations are first-come, first-served. To reserve your seat or for more information, email me at harveystanbrough@yahoo.com.

Those of you who are too far away to attend, hang in there. The online version is coming probably early next year. But if you live anywhere from Phoenix south to Mexico or east to Las Cruces, this trip would be well worth your time.

Perhaps best of all, I’m not teaching these workshops to make money. I’m offering them for those who want to learn. If a workshop makes (it takes only two or three participants to make a workshop, maximum 10) that’s great. I love teaching, and I love watching those little lights of understanding flick on. But if a workshop doesn’t make, that’s okay too. I’ll stay at my desk and write. 🙂

Finally, I still have a few seats available in my next Pro-Level Writing Seminar Group, which will meet in Benson beginning in January. There will be ten meetings, during which I will teach you everything I know about writing as well as a good deal about self-editing and publishing. Again, I have only a few seats left and there is an application process, so if you’re interested, please email me at harveystanbrough@yahoo.com on or before September 30.

On September 30 my regular blog posts will return with how to Safeguard Your Credibility as a writer. ‘Til then, happy writing!

Harvey

7 More Tips for Emarketing

Hey Folks,

As I mentioned last time, visitors on the web have literally thousands of choices when it comes to which websites they will visit and whether they will subscribe or bookmark those sites. Remember that it’s always more important to you that the visitor remains on or subscribes to your site or newsletter or blog post. Making it worth their while is never a waist of your time.

A few days after I received the request I wrote about last time, I received another one. A fellow literary laborer who asked me to visit her site and subscribe to her blog posts. She explained, “The subscription form is at the bottom of the page in the center.”

Okay, one, kudos to her for telling me where I could find the subscription form. But two, if I had been a casual browser who happened across her site, there’s an excellent chance I wouldn’t have found her subscription form.

Remember that people generally won’t work in order to do you a favor. I mean, if you’re trapped under a log or other inanimate object in your front yard, the person casually strolling by probably will be willing to invest considerable time and effort in freeing you. (Inanimate objects only, though. If you’re trapped under, say, a bear or a tiger or a massive lizard in your front yard, not so much, although the truly caring individual might bother to dial 911 or Animal Control or something.) But if doing you a favor falls under the category of doing a lot of mental calisthenics, again, not so much.

To maybe help you with the marketing aspects of your website, hear are a few more tips for emarketing:

1. If you want prospective readers to sign up for your newsletter or your blog posts, make it easy for them. Put a subscription form at the top of the sidebar on your home page. (Newspaper folks call this “above the fold.” In modern computerese, anything important should appear on the screen without the reader having to scroll down.)

2. It doesn’t hurt to put a “conversion bar”(a subscription bar that converts browsers into subscribers) across the top of your site too. For an excellent example, see the gold bar across the top of HarveyStanbrough.com.

3. Provide at least one call to action (urge to subscribe) in the body of your Welcome or About page, and again, this should appear above the fold. You want the offer to be available whenever the reader is in the mood to take you up on it. (The key to all marketing is to make the product available at the moment that the buyer wants it.)

4. Put at least one call to action in the body of each blog post or immediately after each blog post you write or newsletter you send out. Again, making it easy for the reader to become a subscriber is the key.

5. Offer an incentive for subscribing. For example, if you subscribe to HarveyStanbrough.com you get a free copy of the humorous and informative ebook, The Seven Writerly Sins. I offer that particular incentive because most of my readers are writers or are interested in writing.

6. Offer another incentive for reading the posts. Perhpas offer a free short story if the reader finds the intentional error (spelling or wrong word) and are the first to comment on it. (By the way, if you find the intentional error (spelling or wrong word) in this post and are one of the first few to comment on it in a comment posted on this site you will receive a freshly minted short story from yours truly or one of my alter egos. 🙂

7. Litter your posts and pages with Share buttons. If you look at the bottom of this post or scroll to the bottom of any page on my websites, you will see one-click buttons where the reader can share my post or the information on my page via Email, Facebook, Twitter, Google +, LinkedIn, and other venues. Go take a look; I’ll wait. I don’t have accounts with all those places, but why should I keep others from sharing where they have accounts?

‘Til next time, happy writing!

Harvey