A Note on the Creative Process

by Harvey on January 21, 2015

Hey Folks,

Back in mid-December 2014 a friend wrote in a private blog post that a non-writing creative project she was working on “would go faster if I didn’t keep redesigning it.”

For me, that sounded like her subconscious popping up to slap her around a little.

Like me, she’s a proponent and practitioner of just writing off into the dark. That is, we Just Write, allowing the characters to lead us into and out of situations as they race through the story.

But sometimes we get stuck. Sometimes our critical conscious mind creeps in and tries to “save” us from making a mistake. It tells us to figure out what’s going to happen next and what direction the story is going to take and on and on and on.

Just yesterday  (as I write this) I was ready to throw in the towel on the third novel in the Wes Crowley series. I was tempted to either slap an end on it and call it a novella or just stop writing it until I Figured Out Where It Was Going. And therein lay the battle: if I’m trusting my subconscious, I don’t even WANT to know where it’s going. The great Ray Bradbury himself once said (I’m paraphrasing) that nothing literary was ever created as the result of thought. But sometimes I slip. Remember, I’ve only been at this Writing Into the Dark stuff a little less than a year.

So anyway, I don’t WANT to know where my story’s going when I’m writing. When I have no clue where the story’s going, it and I are 8 or 10 years old, fresh and alive and laughing and racing through the woods naked and it’s FUN.

But when I have the story all planned out or when I otherwise keep forcing it, the the story is trudging through the woods before me at the point of my Almighty Writer’s sword, its hands cuffed behind its back, a prisoner of my conscious, critical mind. And oh yes, it WILL damned sure do what I tell it to do or else.

Sigh… folks, despite all the crap you hear pouring out of the mouths of teachers and critiquers and agents and other non-writers, the truth is, Writing is supposed to be fun, not drudgery. But when it’s all planned out as in the paragraph above, I might just as well stop, force the story to dig its own grave, and then run it through with that Almighty Writer’s sword to bring the misery to an end for both of us, because THAT is when writing is drudgery.

Now I’m gonna get back to writing my novel. :-) And my story of the week. :-) And a bunch of other stuff.

Update: As this posts, I finished the novel (and the series) and an unrelated novella and a few more short stories. :-) My streak continues of writing at least one new short story per week.

‘Til next time, happy, drudgery-free writing!

Harvey

Note: If you find something of value in these posts or on this website, consider dropping a tip into
Harvey’s Tip Jar on your way out. If you’ve already contributed, Thanks!

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A Public Service Announcement… sort of

by Harvey on January 13, 2015

Yeah, sort of. If you’re a writer, you need resources, and the fact is, I’m a good one. I’ve recently revamped the Writers’ Resources listing in the right sidebar of my page.

That sidebar contains a list of copyeditors as well as various useful tools: several dictionaries for everything from slang to sex; language translators and conversion resources for measurements, mileage, money and more; invaluable information for would-be independent publishers; character naming conventions; free apps; free or inexpensive alternatives to Microsoft Word; and a great deal more.

Among the great deal more there are also miscellaneous resources, such as the newly added Historical Maps site where you can get free digital maps, two resources concerning gardening, two or three quotation sites, notes on police procedures, and links to various writers’ groups. Seriously, take a look.

I also point directly to the websites of Dean Wesley Smith and Steven Pressfield. If you haven’t visited Dean’s website, you are missing out on a TON of great information for writers and indie publishers (and you are an indie publisher if you’re a writer and you’re smart). If you haven’t yet read Pressfield’s Do the Work and The War of Art, well, just stop complaining about not finding time to write ’cause really, seriously, you don’t have a leg to stand on.

Of course, there are also my very own instructional blog posts, which come out every ten days and which of course I hope you find useful. I don’t care for false modesty, so I’ll just say, without bragging, if you read my regular posts, you will learn a great deal about writing, and it will be good information, not the inane bullcookies you hear from people who hold themselves up as experts although they’ve never published anything. I mean, puh-lease.

One thing… Beginning with my next post, you’ll receive those on the 1st, 11th and 21st day of the month. Up until now they were going out on the 10th, 20th and 30th, but despite protracted, endlessly frustrating negotiations, my team thus far has been unable to get February to go along with the program re the posting on the 30th. So I’m making the switch.

Just in case you’re scratching your head and saying something like “Huh?” the problem is that February has only 28 days, except every four years when it begrudgingly adds a 29th day, apparently to tease us and show us it could get to 30 if only it wanted to, which of course it does not because, frankly, that’s just the way February is.

Okay, finally, I’ve also decided to take the plunge into donation land. I mean, I’m a professional writer. I make my living with my words, except the words in my instructional blog posts, which I give you because it makes me feel all warm and fuzzy. Okay, but warm, fuzzy feelings don’t put bacon on the table, and the fact is, I like bacon, despite the fact that (or maybe because) liking bacon isn’t politically correct because it isn’t made from soy.

So if you’re one of those folks who tells me now and then how much you learn from these posts or how valuable they are or how reading them doesn’t actually give you a migraine, hey, I hope you’ll consider dropping a tip into Harvey’s Tip Jar. You can click the preceding link or you’ll find a button in the upper right corner. And if you’re one of those folks who like to remain silent because, after all, that’s your right, but you also enjoy the posts, learn from them and so on, I hope you’ll consider tossing a tip my way as well.

I’m a full-time fiction writer now, which means I’m making my living with my words. In the past 9 months, since April 15, 2014, I’ve written over a quarter-million words of fiction (263,441 to be exact). That doesn’t include blog posts and other nonfiction. In those 263,441 words are 46 short stories and 3 novels. During that time also, I collected the stories in 12 short fiction collections and the novels into a trilogy. Finally, during that time I created 62 book covers and published those 62 works to over 100 nations around the world through various ebook and print venues. Not bad for an old man, eh? (grin)

I’m just sayin’, writing blogs posts and seminars and other nonfiction is no longer my main focus. When I write a blog post to help you out, it costs me time that I could otherwise use to tell a story. And frankly, telling stories—sitting at my keyboard making stuff up—is a great deal more fun. (grin)

Oh speaking of which, I also added a tip jar to my fiction showcase website over at HEStanbrough.com. If you sign up over there, you get a free, brand new, freshly minted short story every week. Anyway, that’s the same tip jar so don’t feel like you have to hit both of them, okay? But yeah, one would be nice. (grin) You know, if you can see your way clear.

Those tips will help me keep these blog posts going. Oh, and if you do decide to toss something into the kitty, as they say down in Texas, Bless yer hort.

Coming up, in addition to new blog posts, I’ll also be reposting a series on Microsoft Word for Writers and a revised series on Being a Professional Writer as well as a lot of other good stuff.

Until then, happy writing!

Harvey

 

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Length of Various Fiction Forms

by Harvey on January 10, 2015

Hey Folks,

Recently I’ve been asked more than once the length of the various forms of fiction. Yawwwn. Stretch. Sigh. Okay, this is one of those “wrapped around the wheel” things that’s great for personal use if you don’t obsess over it. The answer is, it depends on whom you ask.

For example, although some major magazines (Asimov’s springs to mind) publish both novelettes and novellas, most definitions online consider those two terms interchangeable. But you asked me, so here’s my take in a handy-dandy put-it-on-your-metal-filing-cabinet-under-a-magnet list.

Pssst! Seriously, if you still have a filing cabinet, especially one of the old metal ones, there’s a new thing out: computers. Check into it. ‘Course, you can’t stick stuff to it with a magnet (don’t try; you’ll screw up your screen) but still. I’m just sayin’.

Note that every form on this list denotes a complete story, meaning by definition it has a setting, character(s), conflict(s) and resolution:

  • 6 to 99 words — Flash Fiction (“For sale, baby shoes. Never worn.”)
  • 100 to 1,999 — Short Short Story (Short Short)
  • 2,000 to 6,999 — Short Story
  • 7,000 to 9,999 — Long Short Story (or Novelette)
  • 10,000 to 19,999 — Novella
  • 20,000 to 39,999 — Short Novel
  • 40,000 to 69,999 — Novel
  • 70,000 + — Long Novel

Just in case you have it in mind to ask something like,

“Wull, what about the vignette there, moron? You left out the vignette. Whaddayou, stoopid or somethin’?”

“No, I ain’t stoopid. Maybe you’re stoopid an’ yer projectin’ all your stoopid on me. J’ever thinka that?”

Sorry, got carried away there. Actually, my omission of the vignette from the list was intentional. Also called a “slice of life,” the vignette typically is fiction told from a single POV, but it has no predetermined word range. It is defined by its lack of a resolution (and in some cases, its lack of a conflict that needs to be resolved). So there.

Again, these are just my definitions for my own use, submitted for your amusement. If I were publishing a magazine, probably these are the lengths I would use to determine which label to slap on which accepted submission. But I’m not.

Trust me, I’ll never go back into THAT particular brand of insanity. I have plenty to do just publishing my own stuff plus the works of Eric Stringer, Nick Porter, and Gervasio Arrancado.

Anyway, if your definitions are different, that’s fine. No need to correspond for the sake of argument. I really don’t care. :-) These are not things any writer should worry about before writing or during the process or even after the writing process for that matter. Just Write.

Harvey

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Let’s Go Streaking

by Harvey on December 30, 2014

Hi Folks,

First, Happy New Year! I hope it’s perfect for you. If you’re a writer, there’s no better time than right now to go streaking. (grin)

No wait… I mean, you know, there’s no better time to begin a new streak.

Nah, I’m not talking about taking off all your clothes and racing around in public. Seriously, nobody wants to see that. I’m talking about eating an elephant.

Remember the old (very wise) joke? Q: How do you eat an elephant? A: One bite at a time.

When you set a goal and that goal is huge (say you want to write a novel in the next six months), it can seem overwhelming, like eating an elephant. So you have to break it down into manageable bites. That would be smaller goals.

First, I recommend figuring out how many publishable words of fiction you write per hour. (Most pro writers seem to write around 700 to 1000 words per hours.)

Now, how many words do you think your novel will be? Let’s say 60,000.

How many weekdays are there in six months? (To make it easy, let’s give each month 4 weeks. So that would be 24 weeks in six months, and 120 weekdays. Okay, now divide your elephant into bite-size pieces. If your novel will be 60,000 words, you’ll want to write at least 500 words per day. That’s it. Weekends off, and you’re working at your “job” (can you really call sitting at a computer making stuff up work?) only about a half-hour per day. Hmmm…. okay, so maybe you could write TWO novels in that six months. :-) But I digress. This is supposed to be about streaks.

Okay, you know now what you have to do if you want to write that 60,000 word novel in six months. So now you make those bites a goal. And it’s not only a goal, but a goal that re-sets itself:

Goal: I will write at least 2500 words of fiction per week. There you go. Now you have a goal that resets every week. See how many weeks you an go without breaking your streak, writing 2500 words per day of new, publisable fiction. Want to break it down further?

Goal: I will write at least 500 words of fiction per day, five days per week. Bam! Just like that, you have a goal that resets every time you get out of bed. In other words, you have the potential for a streak! See how many weekdays you can go without breaking your streak.

I’m telling you, Streaks Have Power. Once you start a streak, the longer it lasts, the harder it is to break.

But if you do miss a day, then what? Do you have to make it up by writing an extra 500 words the next day? No. I mean, that would keep you on track for the larger weekly goal, but no, you don’t have to. Because the goal re-sets every day. If you miss a day, you can just skip it and start over on the next day.

Likewise for the next level up: If one week you write only 2350 words instead of 2500, do you have to make up the missing words the following week? Well, I’m anal, so I would, but no, you don’t have to. You gave it your best shot, so forget it. This goal, too, resets at the beginning of each week.

The point is, follow Heinlein’s Rules and Just Write. Keep moving your fiction forward. Write the scene, write the next sentence and keep moving your fiction forward.

It’s all up to you. If you’re a writer, you have to write.

‘Til next time, happy writing.

Harvey

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On the Theft of Ebooks

by Harvey on December 20, 2014

Hi Folks,

This is a necessary post. There is a subculture out there who seems to believe anything electronic is up for grabs, that it belongs to everyone at once. It doesn’t.

My unintentional mentor, Dean Wesley Smith, recently (as I write this) posted a blog regarding the fact that ebooks differ from paper books in that courts have established customers do not “own” an ebook once they buy it.

That’s true, of course. When you buy an ebook, you are only licensing it. It’s no different than “buying” a movie. You don’t own the movie. You own the right to view it for awhile. Same with an ebook. Note: that’s why ebooks generally cost a lot less than paper books. Duh.

Well, his post, incredibly, incited a lot of WRITERS to comment on various and sundry ways to STEAL the copyrighted work in ebooks! Seriously! Why would any writer even condone stealing copyrighted material, much less advise people on how to do so? Are they freaking mental?

So all of that is what has brought me to this:

For the first time in a very long time, I’m glad I found Writing Into the Dark at such an advanced age.

Yes, I do writing into the dark. Like Dean Wesley Smith and Kristine Kathryn Rusch and Ray Bradbury and practically EVERY other major successful long-term fiction writer. It just means I don’t rewrite everything and then run it past a critique group and then polish my own unique voice off of it just because some non-fiction writer in my past told me that’s what I have to do. Beside, frankly I Don’t Have Time for all that. I’m too busy writing the next story.

But I stand pretty much NO chance of becoming a long-term professional author because I got started (in a serious, my-writing-comes-first kind of way) far, far too late. Will I sell enough to make a living? Probably, but maybe not. The point is, I’m old enough not to be concerned about it. But I digress.

Frankly, if someone cares enough to steal some of my work, well, I just have to hope that will be the exception rather than the rule. I’m not flattered and I don’t think it’s a minor thing. I feel pity for anyone who would deny an author the price of his or her book. That is the height of selfishness and greed.

If you buy my work and want to share it with your spouse or significant other, that’s fine. I personally have no problem with that. But if you steal it outright, or if you buy it once and then share it with several of your friends, you’re taking money out of my pocket.

If the book cost $5 and you shared it with twenty of your closest friends, you’ve just stolen $100 from my bank account. Don’t shake your head. It’s EXACTLY the same thing.

Now, there is a thing called Digital Rights Management. A lot of new authors (who generally do not understand copyright) tend to use it. Let me state unequivocally, I will never use DRM. It sends the wrong message to readers. Using DRM says I don’t trust them, and the fact is, I’ve always been the sort who will trust you until you prove to me I can’t. Then I won’t have anything more to do with you, period.

I will continue to publish both ebooks and print as long as I am able, and I will continue to write my a*s off, as much as I can, every single day that I can, and I will continue to just enjoy the process. For example, I wrote over 4,000 new words of fiction on Thanksgiving Day. I hope I’ll have that good of production every day, yes, including Christmas. And I will just enjoy the process.

I am a professional writer and I am extremely fortunate, not because of what I’ve sold or hope to sell, but because writing, putting new words on the page in the form of short stories and novels, is what I do. It’s my day job.

Do I wish I’d been involved with my contemporaries, Dean Wesley Smith, Kris and the others from the very beginning? Oh HELL yes. If I had, today I would be a best-selling internationally known author with a hundred or so novels under my belt, as well as countless short stories.

But that isn’t the way it worked out. (shrug) And as for those who feel it’s all right to STEAL the content in ebooks and all the rest of it? There’s so little I can do about it that I find it healthier (for me) not to worry about it.

Listen up— No matter how they justify taking someone else’s copyrighted material without paying for it, thieves are thieves, period. They have no honor, and they are not worthy of my time.

Until next time, happy writing.

Harvey

Upcoming Writing Intensive

by Harvey on December 12, 2014

Hey Folks,

If you’re in southern Arizona and you’re serious about being a writer, here’s a chance to start your new year off right.

I’m offering a one-day intensive on How to Write the Character-Driven Story. This information will be valid for any length of fiction from a short story to a novel.

Subtopics will include

  • Getting the Idea
  • Selecting a Main (POV) Character
  • Selecting a Genre
  • The Seven-Point Plot Outline
  • The Five-Senses Exercise
  • Writing Setting
  • Writing Scene
  • Plotting
  • Beginning, Middle and End
  • and more….

This is a WRITING intensive. I recommend you bring your laptops. If you prefer, bring a (paper) tablet and pen. When you pre-register, I’ll send you a pre-seminar assignment. It won’t be difficult, but it will save us some time during the seminar.

The seminar will take place in Benson on Saturday, January 24, from 9 a.m. until 4 or 5 p.m. The cost is $80, payable in advance via PayPal or on the day of the event. Cash is preferred, but a check will do. When you sign up, I’ll send directions to the venue.

It’s a small venue. There are maybe 14 seats. If you want to attend, you must pre-register to reserve your spot by emailing me at harveystanbrough@gmail.com.

If the intensive sells out, I’ll teach it again. If it doesn’t, I won’t.

Hope to see you then,

Harvey

 

An Essential Tip: Just Write the Scene

by Harvey on December 10, 2014

A long while back, I posted that if you’re writing and you get bogged down, you should just write the next sentence, then write the next sentence, and so on. Soon you’ll be back in the flow of your story and you can forge ahead. There’s one proviso—that “next sentence” should come directly from your subconscious (creative) mind. In other words, you shouldn’t force it and think about it and make it read just so. You should literally JUST write the next logical sentence.

Well, sometimes when I get stuck, my fingers are poised on the keyboard, all ready to write the next sentence and— the next sentence doesn’t come. Oh crap! What now?

Sometimes you aren’t stuck. Sometimes you’re in the wrong place. Sometimes you’re trying to make something happen (conscious, critical mind) that isn’t part of the story. Remember, the real story is coming out of your subconscious mind, your creative mind.

A few days ago I found myself in exactly that situation. I had written a long (over 1800 words) but very terse opening scene. At the end of that scene, I tried to write a transition and then another scene. (“Tried” is the operative word here. When you “try,” that’s your critical mind. Ugh.) Nothing doing. There was no next sentence.

So I sat back for a moment, released all the conscious, critical mind “try” stuff that I was trying to force on the story. Then I leaned forward, put my fingers on the keyboard, and wrote the first thing that came to mind. A new scene sprang onto the page. When I felt I might bog down again, I just wrote the next sentence, wrote the next sentence. This time it worked fine. I was back in sync, allowing my subconscious creative mind to tell the story it wanted to tell. My fingers barely stopped moving for another 1892 words. Then they slammed to a stop.

Can’t fool me twice, at least not in the same story. I got up, moved around, got a glass of water and came back to the story. I put my fingers on the keyboard, wrote the first thing that came to mind, and again a new scene flew across the page. Yep, just like that. This scene was only 581 words. This time I already knew what the next scene would be, so I added a section divider (for me that’s a series of three centered, spaced asterisks) and started the next scene: that one isn’t finished yet, and it’s just under 1,000 words.

I probably will finish this story a little later today (as I write this post, October 23, 2014). First historical western I’ve written since I was a kid. These days my primary interest is in writing psychological suspense (like horror, but no slash and gash). My secondary is science fiction. My third is magic realism. Historical westerns aren’t anywhere on my list of priorities, but this is the story that wanted to be written, so this is the story I’m writing. Cool, eh?

UPDATE: If you’re signed up for my story-a-week blog over on Harvey Stanbrough & Friends you probably read it back on October 23. It was titled Adobe Walls. If you enjoy westerns, I’ve since written a second western short story based on my novels: Last Raid on Amarillo. For a few more days you can read it free at the blog.

When you get stuck in your writing, Let Go and just write the next sentence. If it won’t come, write the next scene:

  1. To begin a scene, write whatever comes.
  2. To get through the scene, write the next sentence, then write the next sentence, then write the next sentence. Don’t think about where it’s all going or even about the second or third sentence: Just write the next sentence.
  3. When you’re writing a scene, don’t worry about how it connects to other scenes. Just focus on that scene.
  4. When the scene ends, write whatever comes for the next scene (or for another scene), then write the next sentence, etc.
  5. Your character(s) will lead you to where you need to be.

‘Til next time, happy writing.

Harvey

A Bit More on Goals

by Harvey on November 30, 2014

First, a public service announcement, especially for avid readers: if you’re going to be in or near Green Valley on December 6, I hope you’ll stop by to see me and a lot of other local and regional authors at the annual Meet the Authors Book Fair. That’s next Saturday, December 6, from 1 to 4 p.m. at the Desert Hills Lutheran Church at 2150 South Camino Del Sol in Green Valley.

I’ll have my new novel, Leaving Amarillo, as well as thirteen collections of short fiction and my two popular nonfiction books on writing. Stop by!

Some points about the Meet the Authors Book Fair:

  • Admission is free
  • WiFi is available
  • There will be author readings in a small adjacent room

Again, the venue is located at 2150 South Camino Del Sol in Green Valley.

Here’s a Google Map of the location.

Hope to see you there!

Okay, last time up I talked about goals.

When I first set my goal to write a short story per week for a year (back in mid-April) I was about half-terrified. I didn’t realize yet that the world wouldn’t end if I missed, and I hadn’t even considered yet that the goal would merely re-set, meaning even if I missed a week, so what? I still had to write a new story for the current week.

Once I learned to trust my subconscious to tell the story (what Dean Wesley Smith calls writing into the dark) and once I realized nothing bad would happen if I missed a week, the goal gently shifted from a severe, “whaddayou, nuts?” kind of challenge all the way down to FUN.

That’s right, fun.

I no longer doubt that I’ll write a short story per week for a year. Once I let go of the fear, I was free to just run outside and play with all my little fictional friends. And that is SO much better than all the crap I occasionally hear about writing being “drudgery” and all that. :-)

So I still have the ongoing “challenge” of writing a short story every week for a year, but I also have set a goal of writing at least four hours per day (fiction… not counting any nonfiction, not counting emails or blog posts) at least five days per week. Can I do that? Yep. Easily. As I’ve said many times in this series and elsewhere, it’s all a matter of priorities. Now that I’m not editing and formatting and creating (beautiful) covers for Other People’s Stuff, my days are my own.

For those of you who automatically think writing four hours per day is a monstrous and probably un-doable goal, tell me: if you have a day job (or if you’re retired, back when you had a day job), are (or were) you able to go to your job and do it at least four hours per day, five days per week? Of course. In fact, you probably spent 8 or 9 or 12 hours per day at least five days per week.

Writing fiction is my job now. (Yeah, that’s right. My “job” is sitting at a computer, making up stories. Score!) If I call myself a writer, shouldn’t I be able t0 “work” at my job four lousy hours per day? Kind’a puts things in a whole new perspective, doesn’t it? :-)

So is writing your job too? If you answered yes, maybe you should set a goal or two. :-) If you need help in that regard, I’m more than happy to respond to emails or to comments left in the comments section at the bottom of this post.

Back next time.

Harvey

A Few Resources and Goal Setting

by Harvey on November 20, 2014

Hey Folks,

A few strong resources—

If you’re serious about your work as a writer, check these out:

http://deanwesleysmith.com—The resource-rich website of Dean Wesley Smith, my own unintentional mentor and one of the most prolific writers in America. While you’re there, check out the Think Like a Publisher and Killing the Sacred Cows of Publishing tabs. I also recommend checking out his Online Workshops tab and his Lecture Series tab. Also while you’re there, remember that this guy has published hundreds of novels and several hundred short stories. His wife, Kristine Kathryn Rusch, has done likewise. Seriously, would you rather “learn” from the peers in your critique group, or would you rather learn from someone who’s highly successful. (Hands raised, palms out: I don’t mean me. I’m not teaching anymore.)

Chuck Wendig’s blogAnother resource-rich website. Chuck regularly offers his books in bundles. I recently bought a bundle of seven for only $20, and they’re full of actual TRUE information about writing. Not the lying, worthless, even harmful stuff that’s in most how-to books for writers. I could name names but, you know, I’m a good guy. Besides, frankly, if you believe that stuff, you deserve the ensuing wasted years. WARNING: Chuck Wendig uses strong language with remarkable regularity. If you’re offended by such language, you might want to avoid this website.

Harvey Stanbrough’s Audio Lecture SeriesThis is for those of you who always meant to get to my seminars when I was teaching them live but didn’t for whatever reason. Well, that extended period of insanity is over, and I’m getting better, thanks. Now I offer the same excellent instruction online so “them as want it can take it and them as don’t can leave ‘er be.” No more need for excuses. :-) If you want honest, nuts-and-bolts instruction that you can apply to your writing immediately, you want these lectures. (I recommend starting with Narrative. It’s chock full of good stuff.) There’s no fluff in these lectures. It’s all meat. Or if you’re a vegetarian, it’s all peas and carrots. Okay, unprocessed peas and carrots. Sheesh. Whatever. Even if you been to my seminars, I strongly recommend my Writing Into the Dark lecture. Same link, scroll down to Lecture 12. More coming soon on Employing the Persona, Smart Self-Publishing, and maybe even Writing the Character-Driven Short Story. Maybe. I’m REALLY enjoying writing fiction. :-)

Finally, on My Main Website, browse the right sidebar under Writers’ Resources. Seriously, there’s a lot of great stuff there. Go. Browse.

Goal Setting

Last time I defined the different types of writers. Only you know where you fit among those definitions. If you’re actually a writer (a person who writes, who regularly puts new words on the page) or a serious aspirant (that’s almost an oxymoron), set a goal for yourself. Then announce it to your friends and family.

If you do this, it will drive you to your writing computer and you’ll actually put new words on the page. In other words, you will actually BE a writer.

Can you revise or adjust goals once they’re set? Of course. Remember, they’re only artificial boundaries. We set goals to help ourselves achieve what we want to achieve. When setting your goals, bear in mind the term “realistic.” Make your goals realistic.

For example, I want to write a novel. Is a novel just a story that doesn’t end really soon? I don’t know. I haven’t written one yet and I haven’t studied enough yet to know that. But I’m taking a six-week online workshop beginning November 5 that will help me know that, so I will set a novel-per goal soon. UPDATE: By the time I got around to publishing this blog, I’d finished my first novel. It’s the one I talked about in the previous post. So woohoo! :-)

In the meantime, I still also have the recurring goal I set back on April 16: to write and publish at least one new short story per week for a year. So this is both a recurring goal (the goal re-sets every week) and a long-term goal (one story per week for a year). I haven’t missed yet.

But what happens if I do miss one week? Nothing.

The world won’t end. My friends won’t all send me Dear John letters. Deming NM won’t dry up and blow into Texas. Well, maybe, but that’ll be because of its position alongside the journada del muerte, not because I missed writing one stupid short story. And for the overall year, I still will have written FIFTY-ONE short stories. Not too shabby for an old guy learning new tricks. In fact, that’s a pretty good year, don’t you think?

Okay, so what’s stopping you? If you’re a writer, Get On With It.

Harvey

Leaving Amarillo and another announcement

by Harvey on November 13, 2014

Hi Folks,

Amarillo 180I’m excited to announce that Leaving Amarillo, my debut novel, is now available on Smashwords and Amazon as an ebook. You can also order the print version here or at Amazon.

Finally, if you’re going to be in or near Green Valley on December 6, I hope you’ll stop by to see me and a lot of other local and regional authors at the annual Meet the Author Book Fair. That’s on Saturday, December 6, from 1 to 4 p.m. at the Desert Hills Lutheran Church in Green Valley.

Wes Crowley and Otis “Mac” McFadden are lifelong friends. Wes is a year younger and has always looked up to Mac, so when Mac joins the Texas Rangers in the 1870s in the Texas Panhandle, Wes goes along as usual. But placing unequivocal trust in anyone is seldom a good idea. Honor and cowardice, greed and hatred, anger and love intertwine in this fast-paced tale of one man discovering what’s true in life. Come along as Wes battles Comanches, tracks enemies and friends, waxes philosophical, falls in love and ultimately finds himself in a unique place where one era hasn’t quite ended and the next hasn’t quite begun.

Some points about the Meet the Authors Book Fair:

  • Admission is free
  • WiFi is available
  • Author readings in a small adjacent room

The church is located at 2150 South Camino Del Sol in Green Valley.

Here’s a Google Map of the location.

Hope to see you there!

Also, my unintentional mentor, Dean Wesley Smith and his wife, Kristine Kathryn Rusch, both incredibly talented best-selling authors, are considering offering a new 6-week online workshop. The topic will be How to Be A Part-Time Writer. The workshop also will cover how to “make some nice money and have readers in the process.” There are other craft workshops and business-of-writing workshops for those who are serious about wanting to be full-time professional writers. But not everybody can do that.

Before they decide whether to actually put the workshop together, he’s asking for input. If this is something that is of interest to you, please drop by Dean’s site at http://www.deanwesleysmith.com/writing-in-public-year-2-month-4-day-12/. Then scroll down and leave a comment.

Harvey

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